Ronnie Howard, Tommy Burton, Ron Buonaro and Sammy Basile
The Parlaments (Chicago)
aka The Deltones (1) aka The Del Tones (3)
Personnel :
Sammy Basile (Lead)
Ron Buonaro (First Tenor)
Ronnie Howard (Baritone)
Tommy Burton (Bass)
Discography :
The Deltones (1)
Singles :
1958 - Jerry / Rockin' Cha Cha (with Debbie Stevens) (Roulette 4081)
1958 - Early Morning Rock / I'm 'Coming Home (Vee Jay 288)
1959 - A Lover's Prayer / First Man To The Moon (Vee Jay 303)
Unreleased :
1958 - Baby I Need You (Vee Jay)
1960 - Good Luck Charms (USA Records)
The Del Tones (3)
Singles :
1960 - And The Angels Sang / Please Talk to Me (USA Records 711)
Unreleased :
1960 - Good Luck Charms (USA Records)
The Parlaments
1961 - My Only Love / To Be Alone (USA Records 719)
Biography :
At
12, Sammy Basile and his close friend Tommy Burton would harmonize to
the sounds and vocals of Frankie Lymon and the Teenagers and other
groups whose records were on the candy store juke box. They grew up on
the west of Chicago, now called K-Town, since all the streets in their
neighborhood start with a "K," i.e. Kilborne, Karlov, Keeler, etc. They
attended Marshall high school, located on the corners of 5th Ave, and
Adams & Kedzie streets.
Debbie Stevens
During their freshmen year (1956) they met Ronnie Howard. Early in
1958, and Ronnie introduced the group to a Ron Buonaro, and the Deltones
was formed. Like all other vocal groups, they used to practice
harmonizing in the school halls and bathrooms. On Roulette, they backing
Debbie Stevens (Debbie Dean) on their own composition : " Jerry" b/w
"Rockin' Cha Cha". They recorded "Early Morning Rock" at the Chess
Studios on south Michigan Ave. The flip side was a slow song that the
unforgettable voice of Ronnie Howard sang, titled "I'm Coming Home,".
Ronnie Howard, Sammy Basile, Tommy Burton and Ron Buonaro
Jim Lounsberry took the songs to Ewart Abner and Calvin Carter. They
liked the songs and signed the group to Vee-Jay Records.Within a few
weeks the song had seen some success. Their next recording with VeeJay
was in early 1959, "A Lover's Prayer" The session was at Universal
Recording Studio in Chicago. Ron Bounoro sang the lead on this one. The
flip-side, "First Man to the Moon" was selected by Calvin Carter. In
1960 They moved to USA Records. Recordings there included: Please Talk
To Me, Good Luck Charms, and remakes of The Angels Sang and under the
name of The Parlaments " My Only Love" b/w "To Be Alone" .
Dave Strause, (center) (from left) John Smiles, Phil Capp, Joe Vegas, Frauklin Dee and Bob Capp.
The Sho Stoppers (Levittown, Pa)
aka The Show Stoppers (1) ????
Personnel :
Dave Strause (Robby Stark)
John Smiles
Phil Capp
Joe Vegas
Frauklin Dee
Bob Capp
Discography :
The Sho Stoppers
1962 - Little Angel / ??? (???)
1963 - The Day That Roc'k ‘n’ Roll Dies / ??? (KP ?)
(Maybe) The Show Stoppers (1)
1963 - Hee Haw / Doctor Of Love (Amber 212)
1963 - But Who Will Pay / Cynthia (Amber ?)
Biography :
From a newspaper article about The Sho Stoppers :
This vocal &
instrumental group from Levittown has cut some records : “The Day That
Roc'k ‘n’ Roll Dies” on KP records. The record The record was successful
in Trenton. Previously, the group’s most successful record was called
“Little Angel.” The combo has many talents that are displayed in
comedy, vocal, instrumental and dancing mutines. The musicians play
several instruments interchangeably that include the drums, bass,
trombone, trumpet, sax. clarinet and guitar.
The Sho-Stoppers have appeared all over the country in such famous
clubs as the Fremont Hotel and the Riviera louunge in Las Vegas. The
« Golden Nugget” in Lake Tahoe, Nevada. The “Rocking MB” and Dream
Lounge in the Jennia Hotel in Miami Beach. They have also appeared on
the Dick Clark TV’ Show and in a marathon for cancer in Baltimore with
Patti Page and Sammy Davis Jr. The group has appeared locally at the
Erie Social in Northeast Philadelphia, the Carlo Circle Bar also in the
Northeast and at Al-jo’s in Jersey. Dave Strause, has worked with Bobby
Darin, Steve Gibson and the Red Caps and the Flamingoes.
From left to right are Dick Donahue, Jim Bruhn, Lorenzo, Ron Russel and David Ellman,
Lorenzo & The Four Stars (4) (Indianapolis, In.)
ref : The Five Stars (2)
Personnel :
Lorenzo Conyers (Lead)
Jim Bruhn (First Tenor & Guitar)
Dave Ellman (Trumpet & Piano)
Dick Donahue (Bass & Vocal)
Ron Russell (Lead Vocal & Drums)
Discography :
1961 - A Man / First Things First (Kapp 381)
Biography :
From the Indianapolis Indiana area, this vocal and Instrumental group
from Indianapol is composed of Jim Bruhn (First Tenor & Guitar),
Dave Ellman (Trumpet & Piano), Dick Donahue (Bass & Vocal) and
Ron Russell (Lead Vocal & Drums). Jim Bruhn and Ron Russell were
part of the Five Stars from 1957 to 1959. The Five Stars recorded
several singles during this period . In middle 1960, the Four Stars
completed an eight-week engagement at the Turf Club in Indianapolis,
where their act was seen by Lorenzo Conyers and they were asked to join
him in New York for several engagements.
Lorenzo Conyers
Lorenzo
Conyers, who appeared on popular recordings of "If I Didnt Care" and
"We Three" with the "Ink Spots", had been doing a solo act since the
death of one of the members of the original group.The Four Stars
appeared with Lorenzo Conners in New York for several weeks and recorded
two fine song for Kapp; "A Man" and "First Things First". Kapp Records
was an independent record label started in 1953 by David Kapp in New
York City.
1959 - Am I Wasting My Time / Gambling Man (Note 10031)
Unreleased :
1958 - Sweet Names (Note)
Dottie Fergerson & The Five Stars (2)
1958 - Slow Burn / You And Me And Love (Kernel 31957/Mercury 71129)
Ronnie Haig bb The Five Stars (2)
1958 - Traveler Of Love / Don't You Hear Me Calling Baby (Note 10016/ABC 9912/10209 )
Biography :
From the Indianapolis Indiana area, this group of Five Stars had
several records on different labels. The Five Stars consisted of: Lead,
Ron Russel, First Tenor Jim Bruhn, 2nd Tenor Larry Huffman, Baritone
Bill Campbell, and on Bass Bruce Miller (later replaced by Popcorn
Johnson) . Their first record was on the Kentucky based Kernal label.
Using a somewhat popular theme at the time, "Atom Bomb Baby" b/w "You
Sweet Little Thing" on the flip. The record made enough noise for Dot
records to pick it up and distribute for the entire USA. It didn't meet
the expectations of Dot, but it certainly got the Five Stars name in
circulation.
The
next sequential release on the Kernal label was Dottie Fergerson backed
with the Five Stars. "Slow Burn" made enough local noise that Mercury
actually picked it up for their label. On the flip was "You And Me And
Love." Dottie Fergerson went on to have a couple additional issues for
Mercury. These sides were cut at the same session as the previous Five
Stars release on Kernal.
Ronnie Haig
The Five Stars signing a recording contract on the Indianapolis label
called Note a cut three singles. The First "Pickin On The Wrong
Chicken" was getting the play at local radio stations. Released in March
of 1958, it never made any national charts, but certainly scored high
on the local and regional sheets. On The Same Session Ronnie hag cut his
first record, "Traveler Of Love" b/w "Don't You Hear Me Calling Baby"
and The Five Stars provided vocal group back up on both sides.
The
Five Stars made several appearances on 'American Bandstand.' In early
summer of 1958 Note released "My Paradise" b/w "Friction". "My
Paradise" had all the elements to become a hit, except for sales. The
last release for was called "Am I Wasting My Time" backed with "Gambling
Man." In 1960 Jim Bruhn and Ron Russell reformed a vocal and
instrumental group called The Four Stars. The group backed Lorenzo Conyers of the Ink Spots.
Ronald
H.Metty always wanted a group to record the songs that he wrote and the
Magics was a good group, considering this was his second group. They
recorded four songs acapella that Ronald wrote , brought them to Al
Browne bandleader and recording artist. He liked what he heard and had
the Magics back up one of his vocalists Johnny Bronet aka Johnny Bronay
on Aljon Label.
Al Browne (Piano) with his band
"I'll Pray" b/w "Billet D'Amour" was released around April 1961. The
Magics were promised two record deals, but, times moves on and they
knew we were never going to record, so after two years of singing at
various affairs in the five boroughs of new York They finally to persue
their individual careers.
(L to R) Ronald H. Metty, Robert McNamara, George Muller & Tony
DiGregorio
George started his own auto service business, Tony became a painter
for the city of NY, Robert became a police officer in Suffolk County,
NY and Ronald enjoyed a forty year career with Panam & Delta.
1976 - The Mystery Of The Night / Hot Rod (Monogram 111)
Joey & The Flips (4)
1964 - The Beachcomber / Fool Fool Fool (Cameo 327)
Biography :
This
group began in 1959 in Upper Darby, Pennsylvania, harmonizing in the
familiar places that made groups sound great — hallways, restrooms, and
so on. They started out as The Elads (first tenor Fred Gerace, second
tenor James Mehagher, baritone John Smith, bass Jeff Leonard and
falsetto Jimmy Dilks). Sy Kaplan, who later became their manager,
overheard them harmonizing. He was joined by Barry Rich, another
collector, and soon after had them record demo tapes. Kaplan felt that
original lead Jimmy Dilks was not unique enough and was replaced at lead
by diminutive (5 feet) black Joseph Hall.
Rich and Kaplan brought "Bongo Stomp" to Eddie Joy of Joy Records to
see if he was satisfied with the Flips song. Joy Records was opened as a
sideline in 1958 by Guy Mitchell's manager, Eddie Joy, and operated
through to 1965 featuring such artists as Guy, The Five Blobs, James
Gilreath, Jamie Horton and Senor Wences, the ventriloquist of The Ed
Sullivan Show fame. Joy loved it and soon released it on his label.
When
the tune began to take off, the Flips began touring up and down the
East Coast. As the story usually goes, Joy and his organization, despite
inquiries and litigation, paid the Flips or their management no
royalties. Little Joey & The Flips fared no better as none among
Bongo Gully b/w It Was Like Heaven on Joy 268 in 1962, The Beachcomber
b/w Fool Fool Fool on Cameo 327 in 1964, and The Mystery Of The Night
b/w Hot Rod on Monogram 111 in 1972 could get them back on the charts.
Fortunately, the success of "Bongo Stomp" provided work for the
group, including commercials and so on, but personal problems prevailed
and after their Cameo disc, they decided to call it quits.
Planets, Rockets, Rocketeers, Magic-Tones :( L to R) Billy Steward, Jimmy Brunsen, Vince House & Woody Johnson
The Planets (1)(Chicago)
akaThe Magic Notes
aka The Rockets (3)
aka The Rocketeers (2)
aka The Rhythm Aces
Personnel :
Billy Steward (First Tenor)
Woody Johnson (Second Tenor)
Jimmy Brunsen (Tenor)
Vince House (Baritone/Bass)
Discography :
The Rhythm Aces
Singles :
1954 - I Wonder Why / Get Lost (Vee Jay 124)
1955 - Whisper To Me / Olly, Olly, Atsen Free (Vee Jay 138)
1955 - That's My Sugar / Flippety Flop (Vee Jay 160)
Unreleased :
1954- I Realize Now (Vee Jay)
The Rockets (3)
1956 - You Are The First One / Be Lovey Dovey (Modern 992)
Jimmy Beasley & The Rockets (3)
1957 - Johnny's House Party, Part 1 / Part 2 (Modern 1021)
The Rocketeers (2)
1956 - Talk It Over Baby / Hey Rube (Modern 999)
1958 - My Reckless Heart / They Turned The Party Out At Bessie's House (M-J-C 501)
Darla Hood & The Rocketeers (2)
1957 - No Secret Now / Jody (Encino 1007)
The Magic Notes
1957 - The Wrong Door / Never Again (Era 1035)
The Planets (1)
1957 - Stand There Mountain / Never Again (Era 1038)
1957 - Be Sure / Wild Leaves (Era 1049)
Biography :
R&B harmony group the Rhythm Aces formed in 1950 comprising first
tenor Billy Steward, second tenor Chuck Rowan, baritone Clyde Rhymes,
and bass Vince House; all were members of the U.S. Army's Special
Services division stationed in Germany at the time of the quartet's
formation, ultimately winning the "All-Army Soldier Singing Contest" and
landing an appearance on The Ed Sullivan Show as a result. Following
their 1954 discharge, the Rhythm Aces returned to the U.S. and mounted a
tour of the Midwest -- their performance at Chicago's Crown Propeller
Lounge proved such a hit that the club named the group its regular
headline act, firing former marquee act the Moonglows in the process.
The Rhythm Aces : Billy Steward, Chuck Rowan, Clyde Rhymes & Vince House
Vee-Jay Records exec Ewart Abner soon caught the Rhythm Aces' act and
arranged an audition with label owners Vivian and Jimmy Carter, who
immediately extended a contract offer. Their debut single "I Wonder Why"
followed in late 1954, but the group's sharp, sophisticated harmonies
made few inroads at radio or retail. Vee-Jay issued the Rhythm Aces'
luminous sophomore effort "Whisper to Me" in the spring of 1955, but it
too failed to attract much attention, and when a similar fate befell
their third single, "That's My Sugar," the label terminated the group's
contract.
After adding guitarist Sam Alexander and installing Rowan on piano,
the Rhythm Aces toured Canada in late 1955, but during a break from the
road Rhymes wed while Steward and Alexander spent the holidays in their
native Detroit, when only Rowan and House turned up for a scheduled gig
in New York City, the group dissolved. After the Vee Jay Rhythm Aces
broke up late in 1955, they all returned home. It is not known when or
where, but Lloyd McCraw ( Jacks/Cadets) had previously met Vince House.
Jimmy
Beasley
In 1956, he communicated with House, asking him to assemble a group
and come west to record for his organization. House rounded up Steward
and Rowan and picked up Jimmy Brunsen, they were now "the Rockets.
McCraw got them a contract and session with Modern Records . When their
Modern disc failed, Rowan left for good, rejoining the service. He was
replaced in the group by Brunsen's friend Woody Johnson. Modern then
changed the group's name to Rocketeers late in 1956 and released a new
single.
Johnny Otis Show
Nothing happened with the name change or the Modern release, and the
group moved to Era, where House's name was changed to Vince Howard. The
Group cut three singles, as the Planets & The Magic Tones. One disc
that the Planets released on Era, "Stand There Mountain," became their
biggest hit. At this point they hooked up with Johnny Otis and became
part of his touring "Johnny Otis Show" (once again as the Rockets). In
early 1958, they became the "Rocketeers" again, for a single recording
as backup for Willie Davis.
1963 - His Girl / Don't Want Your Love No More (Fargo 1050)
The Vacels
1965 - You're My Baby / Hey Girl, Stop Leading Me On (Kama Sutra 200)
1965 - Can You Please Crawl Out Your Window / I'm Just A Poor Boy (Kama Sutra 204)
Biography :
It
all started in 1958 when 12 year old Richard Mango moved to Valle
Stream, Long Island from Brooklyn, New York. Ric wasted no time becoming
very popular in his fifth grade class. He received a Valentine Day's
card from almost every young girl in the school, every girl but one. So
he wrote her a song "Lorraine" and told that he would perform it for her
at the school's local dance.
Ricky & The Vacels With Tony Orlando Ricky & The Vacels With The Ronnie & The Hi-Lites
Not so popular with the guys, a trio of Bobby Russo and Brothers Pete
and Vinny Gorman (Real name Gutowski) had invited him to perform his
song with their band, planning to dump him when it was over.
Unfortunately for the trio the crowd loved them and Ricky and the Vacels
were born.
Ricky & The Vacels With
Frankie
Avalon
The Name Vacels was chosen
by the original group because it's meaning is "servant's to the King".
After winning a local talent contest they came the attention of Lou
Fargo who record them on his Express label the songs "Bublle Gumv" b/w
"Lorraine" in 1962 and the next year on The fargo label "His Girl" b/w
"Don't Want Your Love No More".
The Vacels
They would eventually be managed by Sandy Yogoda of Jay & The
Americans who got them a recording contract with Kama Sutra Records. The
band dropped the 'Ricky &' and cut two singles in 1965 ."You're My
Baby" b/w "Hey Girl, Stop Leading Me On" was the first single for the
new label followed a few months later by "Can You Please Crawl Out Your
Window" b/w "I'm Just A Poor Boy".
It was Ric's connection with Sandy that got him into Jay & The
Americans replacing Howie who left for the Army. His group The Vacels
now went through another name change to the "Shaggy Boys".
"The Ric Mango Story"
Songs :
Ricky & The Vacels
Lorraine Bublle Gum His Girl
Don't Wan't Your Love No More
The Vacels
I'm Just A Poor Boy You're My Baby Hey Girl, Stop Leading Me On
Bob
Kelly already had his own recording studio and In 1962, three guys
came into the studio , Jerry Brown, piano player and singer, Jay Ramsey,
guitar player, singer, and songwriter and Frank Cole, sax, guitar, bass
and singer. Bob Kelly decided to record them and put out a record
locally to see if it would do anything. "Smooth Talkin' Woman" b/w "Look
Away Love" on Libra Records as Jay Ramsey & The Contempos.
1962, Jay Ramsey, Jerry brown, Frank Cole and Bob Kelly
Success locally was mediocre he couldn't get a national record
release. Then, Bob asked them if they would like to form a group with
him. So they recorded some songs Jay singing lead, and Jerry, Frank,
and Bob singing background. With slightly more success, Bob got a record
leasing deal with Smash Records, a subsidiary of Mercury Records.
"Thrill" b/w "Come Back Karen," published by Little Star.
They
got a Best Bets in Cashbox as good as you could get at the time for a
rating. Lots of airplay and sales locally, but still only moderate
success nationally. It was a one-record-lease deal, so back to the
drawing board.The Expressions started touring all over the country in
Sept 1964 and kept going for the next sixteen years! In 1965, they were
signed by Sinatra's Reprise Records and cut "One Plus One" b/w
"Playboy".
1962 - You've Got Me Crying Again / Hoy, Hoy (Tri-Phi 1008)
1963 - I Was Teasin' / Our Summer Vacation Is Over (Vida 0109)
Biography :
Seven years ago, in 1955, the Davenport Sisters started singing for
banquets, church affairs, private parties and eventually at a few night
clubs. During this time, the girls sang on the Jan Andre Show and
various radio stations in Pittsburgh and the Monongahela Valley. In the
fall of 1955, Al Noble, MC for Wilken's Amateur Hour made it possible
for the Monongahela singers to make a guest appearance on TV, after
winning a weekly contest. Public appearances were made in Connecticut,
New Jersey and Pennsylvania with the Moonglows.
The sisters then added to
their talent with a six-months training course in modern jazz, tap and
professional cha cha at the Cicci School of Dancing. In addition, the
Sisters acquired the assistance of the noted Duncan Noble, choreographer
for the Civic Light Opera, in preparing a professional act for night
club engagements. Tri-Phi Recording Company of Detroit, Mich. was the
brain child of Gwen Gordy (sister of Motown-man Berry Gordy) and Harvey
Fuqua. The Label released their first single entitled, "You've Got
crying again" written by Florence Davenport & Harvey Fuqua… In 1963,
The Girls Recorded one other single "I Was Teasin" b/w "Our Summer
Vacation Is Over" on Vida 109.
The Dawns in 1956 - Top : (L to R) Jim Carling and Joel Greenspan Lower : (L to R) Stan Goldstein and Bobby Carling - Center : Billy Campbell (Lead Singer)
The Dawns (2) (Chinatown / Little Italy, New York)
Ref The C-Tones
Personnel :
Mike Caminiti (Lead)
Louie Matos (First Tenor)
Stan Goldstein
Oscar (Baritone)
Harry Solomon (Bass)
Discography :
The C-Tones
1957 - On Your Mark / From Now On (Everlast 5005)
The Dawns (2)
1959 - How Deep Is The Ocean / Why Did You Let Me Love You (Climax 104)
Biography :
The
C-Tones were a group from NYC's (Chinatown & Mulberry Street in
Little Italy) and was comprised Mike Caminiti on lead, Harry Solomon on
bass, Tony Lee on piano & 2nd tenor, Donny DiRienzi on baritone and
Louie Matos on 1st tenor. The Group consisted of 5 Italian American
teenagers and practiced in Columbus Park. The Group cut "On Your Mark"
b/w "From Now On" On Everlast 5005. They re-formed as "The Dawns" with
Oscar ? replacing Donnie & Stan Goldstein replacing Tony Lee. They
recorded "How Deep is the Ocean" b/w "Why Did You Let Me Love You" .
Jimmy Carling Trio At Willy Pep's Melody Lane, 57th St. NYC, March '62
It was released on the short lived Climax Records founded by Jack
Gold, label which issued a grand total of ten records between 1959-60
before closing. Jim Carling replaced Oscar in 1960 but The Group broke
up in 1962 without having another record out. In 1962, Jim Carling
continued in the music business in the Jimmy Carling Trio (Jim Carling
on Piano, Gene Mitchell on Guitar and Bobby Nicastro on Drums) and many
other groups over the years.