DOO-WOP-GROUPS

RAINDROPS (6)

 The Raindrops (6)

Ellie Greenwich,  Jeff Barry & Laura Greenwich

The Raindrops (6) (New York)

 

Personnel :

Jeff Barry

Ellie Greenwich

Laura Greenwich

 

Discography :

Singles :
1963 - What A Guy / It's So Wonderful (Jubilee 5444)
1963 - The Kind Of Boy You Can't Forget / Even Though You Can't Dance (Jubilee 5455
1963 - Hanky Panky / That Boy John (Jubilee 5466
1964 - Book Of Love / I Won't Cry (Jubilee 5469
1964 - Let's Go Together / You Got What I Like (Jubilee 5475)
1964 - One More Tear / Another Boy Like Mine (Jubilee 5487
1965 - Don't Let Go / My Mama Don't Like Him (instrumental) (Jubilee 5497)

Unreleased :
N/A - Do Wah Diddy Diddy (Jubilee)
N/A - More Than A Man (Jubilee)
N/A - Talk About Me (Jubilee)
N/A - Can't Hide The Hurtin' (Jubilee)

Lps :
1963 - The Raindrops (Jubilee 5423)
What A Guy / Hanky Panky / I Won't Cry / It's So Wonderful / Da Doo Ron Ron / When The Boy's Happy / The Kind Of Boy You Can't Forget / Isn't That Love / Every Little Beat / Even Though You Can't Dance / That Boy's Messin' Up My Mind / Not Too Young To Get Married    

The Raindrops (6)

 

Biography :

The Raindrops were an American pop group from New York, associated with the Brill Building style of 1960s pop. The group existed from 1963 to 1965 and consisted of Ellie Greenwich and Jeff Barry, both of whom worked as writer/producers for numerous other acts before, during and after their tenure as The Raindrops.

The Raindrops (6)

Laura Greenwich, Ellie Greenwich & Jeff Barry

The group was formed around the nucleus of childhood friends Jeff Barry and Ellie Greenwich. Greenwich had recorded a single in 1958 ("Cha-Cha Charming", as by Ellie Gaye) while a college student, and Barry began working for a Brill Building music publisher in 1959, penning the hit "Tell Laura I Love Her" amongst others. The two met again that year and began dating; simultaneously, they began writing songs together, mainly for other artists. However, a couple of Greenwich-led discs were issued in the early 1960s under pseudonyms, one credited to Ellie Gee and The Jets, another to Kelli Douglas.

The Raindrops (6)    The Raindrops (6)

Ellie & Jeff In the 0ffice of the Brill Building                                                                                  

Greenwich and Barry would marry in October 1962. Greenwich also got a job in music publishing, not only writing but also singing on various demos of her publisher's songs. In early 1963, Greenwich and Barry recorded a demo of their composition "What a Guy", a tune Barry had written for The Sensations. However, the group's label, Jubilee Records, chose to release Barry and Greenwich's demo as the single under the name 'The Raindrops' (the group name was reportedly inspired by "Raindrops," a 1961 hit song by Dee Clark).

The Raindrops (6)    The Raindrops (6) 

                                                                        Ellie & Jeff In the Studio

The single hit #41 on the U.S. Billboard Hot 100, and the follow-up, "The Kind of Boy You Can't Forget", hit #17. The Raindrops sound was "girl-group" in style, with Greenwich singing lead vocal and double-tracked harmony parts, and Barry providing nonsense-syllable bass vocals. At this point, the group began to attract attention. Media stills of the group often depicted the group as a trio, featuring Greenwich and Barry as well as Greenwich's younger sister Laura, who did not sing on the records. 

The Raindrops (6)
Bobby Bosco, Beverly Warren, Laura Greenwich & Ellie Greenwich

The Raindrops made occasional live appearances, but rarely with the same personnel as on record; Ellie Greenwich sometimes had Beverly Warren sing live for her, and Bobby Bosco filled in at times for Barry. To preserve the illusion that the group was a trio, Laura Greenwich also occasionally appeared in live performances with the group, singing into a dead microphone.

The Raindrops (6)     The Raindrops (6)    The Raindrops (6)    The Raindrops (6)

The Raindrops released an album on Jubilee towards the end of 1963; a third single, "That Boy John", was a minor hit but sank at radio after the assassination of John F. Kennedy. After a few further minor hits, Barry and Greenwich stopped releasing material as The Raindrops in early 1965, around the same time they became involved with Red Bird Records.

The Raindrops (6)    The Raindrops (6)

Raindrops on the road : Ellie, Bobby Bosco & Beverly Warren

Both Greenwich and Barry enjoyed successful careers as songwriters after the demise of The Raindrops, and Greenwich went on to a modest solo career as a singer as well. They divorced late in 1965, although they continued to write songs together for a time. They reunited on record for a 1967 single credited to The Meantime, which failed to chart. This was their last professional project as a duo.  Both Greenwich and Barry were inducted into the Songwriters Hall of Fame in 1991.  John Clemente (Girl Groups: Fabulous Females That Rocked the World)

 

Songs :

     
What A Guy                   It's So Wonderful              The Kind Of Boy You Can't Forget

      
Even Though You Can't Dance             Hanky Panky             That Boy John       

     
Book Of Love                      I Won't Cry                     Let's Go Together

      
You Got What I Like                   One More Tear           Another Boy Like Mine

     
Da Doo Ron Ron              Isn't That Love           That Boy's Messin' Up My Mind

  
Talk About Me                   Don't Let Go




PHILADELPHIANS

 The Philadelphians

The Philadelphians (Philadelphia, Pa)


Personnel :

Big John Bowie (Lead)

Frank Gordon (Bass)

Sam (Second Tenor)

Eddie (First Tenor)

Gino (Baritone)


Discography :

The Philadelphians
1961 - The Love That I Lost / Dear (Campus 101)
1962 - Coming Home To You / Church Bells (Campus 103)
1962 - The Vow / I Missed Her (Cameo 116)

Big John & The Philadelphians
1963 - My Love, My Love / Cleo's Theme (by Vince Monata & His Orchestra)  (Guyden 2093)



Biography :

The Philadelphians were a Philadelphia R&B male harmony group of the late fifties and early sixties. The Philadelphians used to rehearse at The Community Center located at 10th and Thompson Sts. of The Cambria Hgts. projects. Members of The Philadelphians were Big John as lead, Frank Gordon as bass, Sam as second tenor, Eddie as first tenor and Gino as baritone singer.

The Philadelphians     The Philadelphians

They were produced by Steve Schulman on Campus Records. They cut two singles for the label "The Love That I Lost" b/w "Dear" May 1961 (Campus 101) and "Coming Home To You" b/w "Church Bells" Feb 1962 (Campus 103). In 1962, they cut a third single for Cameo, a major American Philadelphia-based record labels:  "The Vow" b/w "I Missed Her"

The Philadelphians

Their last single was recorded in 1963 for Jamie-Guyden "My Love,  My Love" as Big John & The Philadelphians. The group broke up, But Big john bowie continue to perform on stage for several years with an instrumental group also called the Philadelphians. John Bowie also had releases on Merben Records in 1966 and Phil-LA of Soul Records the next year.


Songs :

The Philadelphians

   
Dear / The Love That I Lost               Coming Home To You

  
Church Bells                       The Vow / I Missed Her


Big John & The Philadelphians

My Love, My Love 



DREAMERS (3) - BLOSSOMS - ROLLETTES - PLAYGIRLS (1) - ANGELS (4) - GIRLFRIENDS (3) - COEDS (2)

 The Dreamers (3)

The Dreamers on Flip Records.(top to right) Gloria Jones, Janell Hawkins, Annette Williams, and Fanita James.

The Dreamers (3) (Los Angeles) 

aka The Blossons
aka The Rollettes
aka The Playgirls (1)
aka The Angels (4)
aka The Girlfriends (3)
aka The Coeds (2)
 Ref Bob B. Soxx & The Blue Jeans

 

Personnel :

Fanita Wright Barrett (First tenor)

Annette Williams (First tenor)

Nanette Williams Jackson (Second tenor)

Gloria Jones (Baritone)

 

Discography :

The Dreamers (3) featuring Richard Berry
1954 - Bye Bye / At Last (Flair 1052)

The Dreamers (3)
1956 - Do Not Forget / Since You've Been Gone (Flip 319)

Jenell Hawkins & The Dreamers (3)
1961 - Do Not Forget / Since You've Been Gone (Flip 354)

Richard Berry bb The Dreamers (3)
1956 - Good Love / Wait For Me (RPM 477)

 

Richard Berry & The Dreamers (3)

Singles :
1955 - Daddy Daddy / Baby Darling (Flair 1058)
1955 - Together / Jelly-Roll (Richard Berry with male group) (Flair 1075)

Lp :
1963 - Richard Berry & The Dreamers (3) (Crown CST 371)
Daddy, Daddy / Pretty Brown Eyes* / I Am Bewildered* / The Big Break** / Good Love / Next Time* / Wait For Me  / Together / Baby Baby / Please Tell Me
*Richard Berry solo
**Richard Berry with male group

The Dreamers (3)  

 

Biography :

The Dreamers were formed in 1954 in Los Angeles, California. Gloria Jones, Fanita Barrett, fraternal twin sisters Annette and Nanette Williams, Pat Howard and Jewel Cobbs all attended Fremont High School in Los Angeles. Fanita and Jewel had been in the glee club at Edison Junior High School. When the girls attended Fremont, Fanita and Jewel met the twins in the chorus. Pat and Gloria soon joined the group. This sextet was originally named The Dreamers. his sextet was originally named The Dreamers. The girls palled around with fellow student Dexter Tisby, himself a member of the locally popular group, The Penguins, who had a hit with the memorable, “Earth Angel”.

The Dreamers (3)     The Dreamers (3)  

Richard Berry                                                           

Richard Berry was having emergent success as a songwriter and as a jazz and R&B soloist. The capable singer took to the sextet of young girls. Barely out of high school himself, Richard was quickly developing a reputation as a smooth  baritone crooner. The Dreamers complemented him perfectly. He began using them as backing vocalists on his recordings for Flair and RPM Records.

The Dreamers (3)

 With Johnny Otis in 1954. Left to right: Annette Williams, Nanette Williams, Fanita Barrett, Gloria Jones, Pat Howard and Jewel Cobbs. Cobbs and Howard sang only on the "Bye Bye" and "Daddy Daddy" sessions.

Johnny Otis, the famed disc jockey and orchestra leader, spotted the girls at a high school talent show. One of their first appearances was for his radio show on KFOX IN 1955. Not long after this appearance, Pat and Jewel turned their attentions to other activities in their lives. The group quickly became an efficient quartet. The Dreamers developed an harmonic tone that was crystal clear and mesmerizing in its clarity. Every note was sung in perfectly aimed “oohs”, and when their words were sung, it was like a recitation. Everything they sang was done in three or four-part harmonies with either Fanita or Nanette taking the occasional lead. The Dreamers weren't interested in making a name for themselves as a primary group. Happy being backing vocalists, they played both an integral and primary part of Richard Berry's recordings.

The Dreamers (3)

The Rollettes.

Beginning with a version of Harry Warren and Mack Gordon's standard gem “At Last”, The Dreamers backed Richard Berry on three singles for Flair, one single for RPM and one single for Flip. Also, The Dreamers lent their signature sound to other solo artists like Eloise Brooks and Etta James. Perhaps the most memorable recording by the group under their original moniker was the enchanting “Do Not Forget” and its compatible flip, , “Since You've Been Gone”, both penned by Richard Berry. In a true California style, the girls blow their way through each phrase, putting their unique intonations on every chord. Nanette could not sing lead on this session, so Jennell Hawkins took her place. Jennell is an accomplished organist as well as an engaging singer and had recorded duets with Richard Berry on RPM before rising to fame with her 1962 hit , “Moments”. The Dreamers' ability to sing in any configuration allowed them to garner work singing for different labels under assumed names. Gloria occasionally sang as a member of Richard Berry's Pharaohs.

The Dreamers (3)

The Blossoms during their Capitol period. Clockwise from lower left: Nanette, Fanita, Gloria and Annette.

Gloria, Annette and Fanita recorded two singles for Class Records under the pseudonym The Rollettes. “Sad Fool” and “More Than You Realize/Kiss Me Benny” were two efforts that, unfortunately, went by unnoticed, but the efforts of the  singing group did not. Recording under assumed names was to become the group's way of life. The Dreamers signed with Capitol Records where one of the executives, noticing their different skin tones, said they looked like a bouquet; which is how they became the Blossoms.
John Clemente (Girl Groups: Fabulous Females That Rocked the World)

 

Songs :


The Dreamers (3)


  
Do Not Forget                                  Since You've Been Gone

The Dreamers (3) featuring Richard Berry

  
Bye Bye                          At Last


Richard Berry & The Dreamers (3)


     
Daddy Daddy                     Baby Darling                      Together

     
Good Love                   Wait For Me                      Next Time 



KEITH & KAY

 Keith & Kay

Keith & Kay (Plainview, Texas)

Personnel :

Keith McCormack "Bryan Keith"

Juanita Jordan "Kay"


Discography :

1965 - Spring Has Sprung / Stumblin' Stone (Dot 16712)


Biography :

"Bryan Keith" was a pseudonym of Keith McCormack, the rhythm guitarist and vocalist with The String-A-Longs and later a member of The Fireballs. He also wrote quite a few songs, including "Sugar Shack" for Jimmy Gilmer. He recorded as "Mickey Boyd" for 7 Arts/Warwick

Keith & Kay      Keith & Kay

Keith McCormack had two singles on Dot: "Hound Dog"/"Cute Little Frown" in 1963 as Bryan Keith and In 1965, he released a second single for Dot as Keith & Kay. Kay have been his regular songwriting partner Juanita Jordan. A haunting and catchy ‘Spring Has Sprung’. Its flip is  the fantastic beat-ballad "Stumbling Stone" .


Songs :

 
** Stumblin' Stone **





FI DELLS QUARTET

 The Fi Dells Quartet

The Fi Dells Quartet (Indianapolis, IN)

 

Personnel :

Wally Cox

 

Discography :

1958 - Time And Time Again / Foggy Day (India 5822/23)
1959 - Moonlight Serenade / Sooner Or Later (India 5273/74)
1961 - Hey, Senorita ! / Moonlight Becomes You (India 2663/64)

 

Biography :

The Original quartet was organized in 1952, however, early in 1958 a new tenor joined them. Upon graduation from Broad Ripple High School the quartet entered Butler University, at which time they changed their name from the Rocketairs to the Fi-Dells. The Quartet has a large selection of Songs including, Modern, Barbershop, religious and Popular.

The Fi Dells Quartet      The Fi Dells Quartet

They have entertained at Banquets, dances and night clubs. They have made appearances at the Indiana Roof, La Rue’s Supper Club,Variety Club and the Egyptian Room of the Murat Temple. The group recorded  three singles for the India Record label.

 

Songs :

    
 Time And Time Again / Foggy Days      Moonlight Serenade / Sooner Or Later 

Hey, Senorita ! / Moonlight Becomes You 




CAPES - ZIRCONS (2)

 The Zircons (2) aka The Capes

The Zircons (1965)

The Capes (Chattanooga, Tenn.)
aka The Zircons (2) 

 

Personnel :

Eugene Meadows

Emmanuel Thompson

Robert Eppinger

Wilson Meadows

Wallace Meadows

 

Discography :

The Capes
1960 - The Vow / Jeanie (Chat 5005

The Zircons (2)
1962 - No Twistin' On Sunday / Mama Wants To Drive (Federal 12452)
1962 - Mr. Jones (Is A Bad Man)  / Get Up And Go To School (Federal 12478)
1964 - Don't Put Off For Tomorrow  (What You Can Do Today) / Where There's A Will  (Heigh Ho 606-607)
1965 - Sit Down Girl / I couldn't Stop Crying  (Heigh Ho 608-609)
1967 - Go On And Cry, Cry / Was It Meant To Be This Way (Heigh Ho 645-646)
1969 - Finders Keepers / You Ain't Comin' Back (Capitol 2667)

 

Biography :

Wilson, Wallace, Eugene Meadows, Robert Eppinger and Emmanuel Thompson first started as the Capes, they recorded a ditty called "The Vow" b/w  "Jeanie" for Chat in February 1960. In 1961, They signed a record deal with King Records as The Zircons. The name for the group has caused some confusion over the years as it seems that the name had been used in the late 50's early 60's on several other groups recording for Winston, Dot and a number of other small labels. But the name was soon to become firmly theirs the following year when their first release "No Twisting On Sunday" came out on the King subsidiary Federal: "No Twisting on Sunday" b/w "Mama Wants To Drive".

The Zircons (2) aka The CapesThe Capes (1960) L to R : Eugene Meadows, Emmanuel Thompson, Robert Eppinger, Wilson Meadows, Wallace Meadows

Actually the Capes and the Zircons were the same group, which just changed names. After one more release for the label the group headed further north to New York.  Here over the next five years they cut three singles for the Heigh-Ho label, including "Go On And Cry, Cry". In the early 70's they also cut one single with Capitol records "Finders Keepers". On Capitol (without Eppinger and Thompson) Wilson, Wallace & Eugene Meadows came with the name 'The Meadows' and soon learned there were other acts that had already chosen the name. 

The Zircons (2) aka The Capes
The Meadows

Wilson Meadows continued with his brothers as the Meadows on Radio Records - an LP recorded at Muscle Shoals with the legendary studio band , and scored an R&B chart hit in 1977 with "I Can't Understand" by the Meadows Brothers on Kayvette.

 

Songs :

The Zircons (2)

     
Mr. Jones  (Is A Bad Man)            No Twistin' On Sunday           Get Up And Go To School

     
Mama Wants To Drive                Don't Put Off For Tomorrow ....           Where There's A Will....

     
I Couldn't Stop Crying              You Ain't Coming Back        Finders Keepers





ALTAIRS

 The Altairs1959 - The Altairs - George Benson(guitar), Marvin Benson, William Herndon, Ralph Turry, Dan Ponder & Richard Harris 

The Altairs (Pittsburgh)


Personnel :

George Benson (Lead)

William Herndon (First Tenor)

Nathaniel Nelson (Second Tenor)

Richard Harris (Baritone)

Ralph Turry (Bass)

Marvin Benson


Discography :

Anne Keith (Anna Mae Jackson) & The Altairs
1958 - Lover's Prayer / Lonely Girl (Anne Keith & The El Venos) (Memo M3)

The Altairs
Single :
1959 - If You Love Me / Groovy Time (Amy 803)
Demos :
1959 - Return to Sender
1959 - Great Balls of Fire


Biography :

The Altairs were a group of Pittsburgh high school students that put together a vocal group in 1957. The original members were Tim Johnson, William Herndon, Nathaniel Nelson, Ralph Terry, and Richard Harris. They were heard by Porky Chedwick and another area dee-jay named Sir Walter and were on their way to performing and recording. The father of Richard Harris became the manager of the group and soon there was a replacement of Tim Johnson by guitarist and vocalist George Benson. One of the radio personalities that worked with Porky at WAMO was named Bill Powell, and it was he who persuaded the group to come into the studio and try some backup work for other performers. One of these was Anna Mae Jackson and the song was called "Lover's Prayer".  

The Altairs1953 - Young George Benson holding guitar, seated next to his manager Harry Tepper.

This song was coupled with an earlier tune by Jackson called "Just A Lonely Girl" and released on the local Memo label. This first release by the group went nowhere as far as sales and airplay were concerned, but the group did gain valuable experience in the performing arts. The Altairs made a good impression on the local music scene however, and they were rewarded with many gigs in the area in support of many of the headliners of the day. Billy Ford, a long time R & B performer who had gotten national recognition as part of the "Billy & Lillie" duo (thanks to Dick Clark) put the group in touch with Amy Records located in New York.

The Altairs

By this time in 1959 Benson was the lead singer for the group and they recorded the songs "If You Love Me" and "Groovy Time" on Amy # 803. By the following year Benson had left the group and soon the group was put in touch with song writer Otis Blackwell. Blackwell had also been a recording artist in earlier years with R & B tunes such as "Daddy Rolling Stone" and "Let The Daddy Hold You". He was soon to gain world wide fame as a chief writer for Elvis Presley, and one of the tunes he had The Altairs sing as a song demo was "Return To Sender" and that arrangement was later used on the Presley single of the song.

    The Altairs 

Anna Mae Jackson                                                                              The Altairs

The group next moved to a professional partnership with Dinah Washington. Dinah had observed the group performing in a night spot that she was a managing partner in, and was impressed. She soon had them on tour as accompanying performers and formed a vocal ensemble with some former members of The Dells and were known as The D-Gents. With the untimely death of Dinah Washington in 1963, the members of the Altairs went their seperate ways. Two of the members joined a revamped version of The Marcels and played the "oldies circuit" while George Benson became a major performer in the early seventies winning Grammy awards for "This Masquerade" for Record Of The Year, and a tremendous reworking of The Drifters hit "On Broadway" among many others.

 

Songs :

The Altairs
   
   
If You Love Me                                    Groovy Time

 
Anne Keith (Anna Mae Jackson) & The Altairs

Lover's Prayer (Anne Keith)



SPARROWS (2) (LITTLE JIMMY & THE)

 Little Jimmy & The Sparrows (2) 

(L to R) Oliver Spence, Joe Scott, Richard Anderson and James Wilson.

 Little Jimmy & The Sparrows (2) (Philadelphia)


Personnel :

James "Little Jimmy" Wilson (Lead)

Oliver "Ollie" Spence (First Tenor / Lead)

Joe Scott (Second Tenor)

Richard Anderson (Baritone / Second Tenor)


Discography :

1958 - Snorin' / Two Hearts Together (Val-Ue 101)


Biography :

Vocal group from Philadelphia, The Sparrows prowled the precinct of 20th & Brown known in these parts as Fairmount. The year was 1956 or 1957, and most of the Sparrows, a handle concocted by Ollie Spence, attended Vaux Junior High School or Ben Franklin High School. The Original roster shook out as follows, James "Little Jimmy" Wilson, Richard Anderson, Joe Scott and Oliver "Ollie" Spence , there was a bass named Sinclair. but it remains questionable if he ever made it as far the recording studio. He was a troublesome dude sticking up people and stores. He was stabbed to death in prison some years later.

Little Jimmy & The Sparrows (2) 

(L to R) Richard Anderson, Joe Scott, James Wilson and Oliver Spence

At their regular rehearsals, the Sparrows gathered confidence and momentum by chirping the most popular fugues of the day, number like "Little Darlin", "Teardrops", "Long Lonely Nights", "Smoke Gets In Your Eyes", "Goodnight Sweetheart Goodnight", "Only You", "Earth Angel" …. The Sparrows felt well-armed enough to sign up for one of those highly contested local talent trysts. Coincidentally, it was held at Francisville Playground, their local haunt where the sparrows scored first place. Francisville officials sent the group out as emissaries for their region to compete at other contest , at other Playground. Then they started appearing at local theaters and movie houses.

Little Jimmy & The Sparrows (2)    Little Jimmy & The Sparrows (2)

Little Joe Cook, rhythm and blues singer and songwriter, best known as the lead singer of Little Joe & The Thrillers, whose song "Peanuts" reached no. 22 on the Billboard Top 100 in 1957 became their manager. In 1958, The group recorded "Snorin" and "Two Hearts Together"  arranged by Joe Cook. The Philadelphia based label VAL-UE released the single, but with little promotion the single quickly fall into oblivion. The boys wrote more song, worked hard on them, developed a more professional stage routine. Unfortunately, the group split before having the opportunity to return to the studio.


Songs :

  
Two Hearts Together                           Snorin'           





DREAMLINERS

The Dreamliners

 The Dreamliners (San Antonio, Texas)

 

Personnel :

Sylvia Wilburn (Lead)

Claire Peralta

Cecilia Silva

 

Discography :

The Dreamliners
1963 - Just Me & You / Daiquiri (The Velvederes) (Cobra 013)
1965 - A Shoulder to Cry On / The Lonely Fool (Jox 042)
1965 - From One Fool To Another / Best Things In Life (Jox 037)

Rene & Rene bb The Dreamliners
1965 - Chantilly Lace / I'm Not The Only One (HMV 1468/ABC 10699/Ampar 1072/CBS 1942)

 

Biography

Claire Peralta, Sylvia Wilburn, Cecilia Silva came together in 1961 as the Royaltones in the choir room of South San Antonio High, harmonizing the latest hits while waiting for their parents to collect them. After changing their name to the Dreamliners—inspired by the San Antonio transit system—they began performing at VFW Halls and military bases in greater Bexar County, singing a set of McGuire Sisters-esque ditties for the ranking folks, and the Sound of Young America for the NFG privates. Epstein caught wind of the group in 1963 and signed them without hesitation. A split single with the Velvedeers appeared on Cobra later that year, featuring Wilburn’s original “Just You and Me” as the A-side. The 45 failed to find a footing locally, a by-product of his bloated release schedule and overshadowing by the duo that put Epstein and his ragtag group of labels on the map and in the black. 

The Dreamliners    The Dreamliners

René Ornealas and René Herrera stormed out of Laredo and onto the national scene with their Spanish-English hybrid smash “Angelito,” issued on Jox in mid-1964. Flush with cash from his first, and arguably only hit artist, Epstein kept the studio open around the clock, recording artists from all over Texas at all hours of the night. The Dreamliners were called back for a series of follow ups, including a turn adding “yeah yeahs” and “ahhhhs” to Rene y Rene’s 1965 take on the Big Bopper’s “Chantilly Lace.” Two other Jox-labeled Dreamliners 45s emerged that year, “From One Fool To Another” b/w “Best Things In Life” and “A Shoulder To Cry On” b/w “The Lonely Fool.” The trio spent the next three years on and off the road, culminating in a residency at The Golden Nugget in Las Vegas backing brown-eyed soul masters Sunny & the Sunliners. The Dreamliners splintered in 1968, with Peralta and Silva choosing motherhood and Wilburn plying her craft in the jingle trade.

Songs :

***A Shoulder to Cry On***

  
Just Me & You                      The Lonely Fool

  
From One Fool To Another          Best Things In Life         




MED-TONES (JOHNNY DARIL & THE)

 Johnny Daril & The Med-Tones

John Dvareckas "Johnny Daril"

Johnny Daril & The Med-Tones (San Diego Naval Hospital, CA.)
(updated by Hans-Joachim) 

 

Personnel :

John E. Dvareckas "Johnny Daril"

Harry Robinson

William Bowie

 

Discography :

1959 - Come Back / Weak In My Knees  (Vita 188)

 

Biography :

Johnny Daril & The Med Tones consisted of John Dvareckas (1/2/39; Worcester, MA), Harry Robinson (5/39; Trenton, NJ) and William Bowie (b: LA), who were hospital corpsmen at San Diego Naval Hospital (hence the “med” name). They worked on Dvareckas’ song “Come Back” and began calling record companies in L.A. The Pasadena-based Vita label showed an interest and the trio connected with Ruth Stratchborneo (Ruth Christie Member of the Candletts who later formed the Tide label) and rehearsed at her house.  She and Sapp/DePores wrote the B-side. The Med Tones first show was at San Diego country club. They did many USO shows and one for Navy Relief that included Glenn Ford and Connie Stevens. The record charted in the top 30 on WORC in Worcester, MA in November 1959. Upon his Naval discharge, Dvareckas returned to the East Coast and sang locally for a few years before opening an occupational training center for the unemployed and disadvantaged, which he ran for 23 years. Robinson became a registered nurse and credential teacher in vocational medicine; Bowie worked for the IRS.

 

Songs : 

Come Back / Weak In My Knees






KIDS (2) ( MORRY WILLIAMS & THE)

  

Morry Williams

Morry Williams & The Kids (2) (Oakland, CA)


Personnel :

Morry Williams (Lead)

Mal Scott (Lead)

Leonard Charles "L.C." Jones (First Tenor)

Walter Kidd (Baritone)

Woodrow Moseley (Bass)


Discography :

1958 – Are You My Girl Friend / Louise (Tee Vee 301/(Carlton 477))
1962 – Long Foot Jene / Time Runs Out (1st version) (Luck 102)
1962 – Long Foot Jene / Time Runs Out (2nd version) (Luck 102)
1962 – Time Runs Out (1st version) / Part One-Grasshopper (Bobby Ford & The Blazers) (Luck 102)  


Biography :
Mal Scott had developed a musical interest before he was out of knee pants, playing both trumpet and comet in his grade school marching band. Then, taking up with fellow student and project dweller Morry Williams, he started singing two-part harmony around the corridors of the school. They were both natural tenor singers. One thing led to another and the duet grew into a quintet. Bass singer "Woody" Woodrow Moseley came aboard first. He was followed by Leonard Charles or "L.C." Jones, first tenor, and baritone Walter Kidd. They called themselves the Kids.

    

Morry & the Kids however rehearsed at school, in hallways, at street corners and in the project buildings on Moseley Avenue where wally Cox, who became a close friend and fan of the group. The Kids’ first gigs were at Friday night talent shows at the projects run by the Recreation Centre. The Kid’s first out of town trip was the string of dance engagements up in Marysville, North of Sacramento and they performed throughout the greater Bay Area throughout 1956 and 1957. Wally Cox, acting as unofficial agent for the group, introduced the guys to Ted Randall, who hosted a local American Bandstand type of Programme on KPIX Channel Five.

  

The Intrigues - Mal Scott (Center)

Walter Kidd wrote "Louise" (or "Oh Louise") in one night. Over at Ted Randall’s House, Cox and the group wrote "Are You My GirlFriend " in ninety minutes. In the spring of 1958, at a studio in an old brick building at Thirtieth and San Pablo Avenue, The Kids held their first recording session. When the record emerged on Tee-Vee in 1958, The Kids’ carrer took off. They played The Showcase and Sportsman in Oakland legendary Slim Jenkins’ place and entertained at clubs, dances and reviews with other groups in San Francisco. A year later, Woodrow Moseley was replaced by James Carter. The Kids were also dogged by ‘Fat Daddy’ Lyons owner of the tiny Lyons and Luck labels. The Kids recorded "Long Foot Jene" b/w "Time Runs Out". The record issued almost three years after it was recorded. The Kids broke up shortly after the ‘Fat Daddy’ session. Mal Scott signed up for duty in the air force. while in the service he formed a vocal group called the Intrigues which hung together for two years.


Songs :

   
Are You My Girl Friend                           Louise       

   
Time Runs Out                          Long Foot Jene