Jeannie Sterling & The Moonbeams (1) (Los Angeles)
Personnel :
Jeannie Sterling (Lead)
Discography :
Singles :
1957 - It's Too Soon To Know / Star Of Love (Glen Jones) (Capitol 3802)
Lps :
1958 - The Johnny Otis Show (Capitol T-940)
It's Too Soon To Know / A Story Untold
Biography :
Johnny
Otis started his own label, Ultra Records (which he changed to the name
Dig after five single releases). Continuing to perform and appearing on
TV shows in Los Angeles from 1957. On the strength of their success, he
signed to Capitol Records.
In the two short years that The Johnny Otis Show recorded for
Capitol, they managed time and again to come up with some of the most
eternal sides in rock'n'roll. The legendary Mr Otis adopted the role of
ringmaster, whilst the members of his revue took turns to show off their
many talents. Marie Adams, the Three Tons of Joy, Mel Williams, Jeannie
Sterling and Jackie Kelso all featured on the recordings, backed up by
some of the very finest musicians Johnny could assemble.
The Moonbeams a vocal group with 16-year-old Jeannie Sterling perform
in the "The Johnny Otis Show". "It's Too Soon To Know " by Jeannie
Sterling & The Moonbeams was recorded in 1958 in Hollywood. Johnny
Otis & his band can be heard backing the group. This version was
over shadowed by Pat Boone's version on the Dot Records label. The
group also recorded an up-tempo'd version of The Nutmegs "Story Untold".
1964 - I Know Why / I Know My Baby Loves Me (Way Out 2699)
1965 - Why / Last Heartbreak (Way Out 2799)
1965 - It's Been A Long Time / You Can Laugh (Way Out 5696)
Biography :
Way Out records was established by Lester Johnson and Bill Branch in
the early 1960s as a outlet for Cleveland's large African-American music
scene, primarily R&B. The Way Out operation included a recording
studio and office located on East 55th Street in Cleveland. As the music
scene moved toward soul, Way Out started releasing records in that
style, with the Springers and the Sensations as their lead acts.
The Springers from Cleveland, OH (there was a Philadelphia group with
the same name) started recording in the mid-sixties for Way Out records
but had a dated sound. Their first (Way Out Records) single "I Know
Why," was a minor R&B hit in 1964; the slow, dripping doo-wop was
the labels' biggest record and earned the Springers a week long gig at
New York's famed Apollo Theater. Lester Johnson and Ike Perry, of Ike
Perry & the Lyrics, produced the harmonic ballad written by Johnson,
and Tyrone Henry, one of the Springers. The other members were Jeff
Crutchfield, who became Jeff Dale with the Springers, James Dodson
(Sahibs, Crown Imperials), James McClain, Frankie Suber and Carl
Lipford. They resided in Cleveland's Wade Park area, Crutchfield was
born in Memphis, TN but moved to Cleveland with family when he was 12.
Way Out issued a second single, similar to the first, "Why," written
by Henry & McClain, in 1965; A third and final single appeared later
in '65, but "It's Been A Long Time" b/w "You Can Laugh," didn't
generate much action and no more singles were issued. The Springers kept
going, gigging at places like the Spaghetti Inn on Wade Park, the Red
Carpet, the Circle Ballroom, and occasional treks to a club in Lorain,
OH. There are some unreleased tracks laying around somewhere, a female
who lived on Ansel Road, wrote songs that the Springers recorded but
that remains unreleased.
Songs :
I Know Why Why It's Been A Long Time
Last Heartbreak You Can Laugh I Know My Baby Loves Me
1961 - You Are My Happiness / Eighteen's Not Teenage (Murecord 104/105)
1962 - The Blues Come Back / The Mary-Ann Twist (Murecord 194/195)
Biography :
In 1961,from Berwick, PA. Leon and Dale Derr, two brothers known on
entertainment circles as the Derrs Have recorded "You Are My Happiness"
and "Eighteen's Not Teenage". They recorded the songs for Murecord
Records of Mountaintop. Dale is the songwriter of the duo. In the spring
of 1962, the boys recorded another single with "The Blues Come Back"
and "The Mary-Ann Twist".
left to right Billy Owens, Richard May, James Haughton, Eddie King and Johnny Blanton
The Ascots (2) (Victorville, California)
Personnel :
Richard May (Lead /Second Tenor)
Billy Owens (First Tenor)
James Haughton (Bass)
Eddie King (Baritone)
Discography :
1962 - I'm Touched / Perfect Love (Ace 650)
Biography :
Vocal group from AFB airmen in Victorville, California. Billed as the
Ascots the group includes Richard May as Lead singer and second tenor,
Billy Owens first tenor, James Haughton bass, Eddie King baritone and
Johnny Blanton, manager composer. The group made itself known by
participating in a Air Force singing contest, the Ascots finished in
second spot. The competition carried them through more than 30 states.
The Ascots with Friends
They
have also appeared in shows headlining Hollywood stars Annette
Funicello, Tab Hunter and Pat Boone In 1961, The Ascots recorded "I'm
Touched" backed by "Perfect Love". Both songs were written and arranged
by May & Blanton and released on the Ace label.
1956 - Teardrop Eyes / Shimmies And The Shakes (Imperial 5401)
1956 - Wini Brown / Cotton Pickin’ Hands (Imperial 5415)
Unreleased:
1956 - Bad Luck Blues (Imperial)
1956 - The Last Ride (Imperial)
1956 - Lost Dreams (Imperial)
1956 - Baby Please (Imperial)
Biography :
Oklahoma harmony group was the Dukes, a Douglass high school
students consisting of Don Nero, Billy Armistead , Everett Edwards,
Willie Moon and Richard Williams. The Dukes recorded a couple of
sessions in 1956, both at Cosimo Matassa’s new studio on governor
Nicholls street and At Radio Recorders on Santa Monica Boulevard in
Hollywood which produced "Teardrop Eyes" released in July and "Cotton
Pickin’ Hands" some month later.
(L to R) Richard Williams, Jerry Sanders, Don Nero, Willie Moon, Billy Armistead, Everett Edwardsand John Stone KOCY DJ
Cosimo Matassa who ran a legendary recording studio in New Orleans.
At the age of 18 in 1945, Matassa opened the J&M Recording Studio at
the back of his family’s shop on Rampart Street in the French Quarter
of New Orleans. In 1955, he moved to the larger Cosimo Recording Studio.
As an engineer and proprietor, Matassa was crucial to the development
of the R&B, rock and soul sound of the 1950s and 1960s.