1962 - Turn Around / Don't Hang Up The Phone (Philips 40051)
1963 - Only The Guilty Cry / By Now (Philips 40107)
Little Clydie & The Teens (1)
1956 - A Casual Look / Oh Me (RPM 462)
Biography :
Clydie King, a singer who started recording at the age of 13, and
progressed to become one of the most in demand singers of the LA music
scene. Clydie Mae Crittendon was born in Dallas, Texas, on August 21,
1943. She is generally thought a backing singer, but in fact has made
many records of her own, some of them a surprisingly long time ago. She
made her first, ‘A Casual Look’ b/w ‘Oh Me’, in the mid-1950s in
Memphis, for the Bihari Brothers’ label RPM, billed as by Little Clydie
King & The Teens. Soon afterwards, credited as Clydie King, she made
two singles on Speciality. She even did a stint with Don Julian's
Meadowlarks.
The Raelettes (1965) with Clydie King,
In
early 1962, with Sherlie Matthews, she made three further singles for
Philips as Clydie King & the Sweet Things. Later, Clydie King &
Sherlie Matthews was part of Bonnie & The Treasures, The
Blackberries… Clydie was a member of Ray Charles' Raeletts for three
years and contributed to early 1960s recordings by producer Phil
Spector. But it was a number of mid 60's singles on Imperial that were
to be the highmark of her solo career.Done at Gold Star with most of the 'Wrecking Crew', 'Missin' My Baby'
is one of the best records to come out of LA during this time....with
No apology to Phil Spector.Clydie went on to sing with a who who's of
music superstars....Dylan, Rolling Stones, Streisand, but Pookie will
always Think of Clydie with the sound of this one.
1959 - My Girl Babe / Bandstand March (Corsican 0057)
The Nicardi Brothers
1960 - That Pretty Girl / Lonely (ABC 10086)
The Nicardi Bros.
1960 - The Ring / How Come I'M Crying Now? (ABC 10144)
Biography :
Nick
Puccio started singing at the very young age of 4 years old. He sang on
stage with the great Louie Prima at the age of 6. During the Puccio
family summers at the Jersey Shore in Long Branch, on any given night,
you would find little Nick singing, dancing, and acting for crowds of
people on the boardwalk.
In his teens, Nick formed a singing group called "The Rhythm Stars"
with Arthur Salicetti & some friends from Newark High School. Nick
and Artie wrote and recorded some songs for the Group and the Rhythm
Stars recorded two singles for Clock & Corsican Records and sang
Rock and Pop at many of the local night spots and concert halls.
Nick Puccio
When
the group broke up, Nick Puccio a Arthur Salicetti decided to form a
team named the Nicardi Brothers. In 1960 they wrote and recorded "That
Pretty Girl" b/w "Lonely" and "The Ring" b/w "How Come I'M Cry Now?" for
ABC. As he grew older, with the help of his friends Joe Pesci and Frank
Vincent (who is like a brother to Nick), he was given a chance to live a
dream by playing a small role in the film "Casino". That was the start
of his film career. He then went on to do the all time TV hit "NYPD
Blue", and films like "The Shadow Conspiracy", "Witness To The
Mob"..........
1959 - Chic-A-Boomer / I Need Your Love (J-V-B 5000)
Biography :
Gladys Catherine Horton was born on 30 May 1945 in Gainesville
Florida, to parents originally from the West Indies. Given up for
adoption at the tender age of nine months old, she spent much of her
formative years in foster homes before settling with the Jones family on
Harriet Street, Inskter. Church played a large role in her early
musical experience and she became a regular with the Millenarian
Specials, her local church choir. At fourteen years old she and three
school friends’ Jeanette and Juanita McClaflin and Rosemary Wells,
formed a singing quartet named The Del-Rhythmetts and even managed to
get Joe Van Batte, a local record store owner to record them. (1) The
release, The De-Rhythmetts — “I Need Your Love b/w Chic A Boomer” — JVB
500 which was recorded in 1959 and is a real old school attempt at a doo
wop ballad, slid into obscurity without causing so much as a ripple in
the market but did receive some local airplay which must have thrilled
the young ladies. The single sparse guitar accompaniment on the A side
is augmented by a pretty mean tenor sax player and the flip has an
equally adept flautist involved, so maybe some-one showed a little faith
in the youngsters.
Gladys Horton
In
1960 Horton formed a group with her former high school glee club
members Georgeanna Tillman, Katherine Anderson and Juanita Cowart. She
also invited Georgia Dobbins to join her new group. Formerly calling
themselves The Casinyets (can't sing yet), the group eventually
auditioned for Motown after a talent contest, and while the audition was
successful, the group was requested to return to Hitsville with an
original song. After member Georgia Dobbins co-created the song "Please
Mr. Postman", Dobbins suddenly left the group after her father forbade
her to be in nightclubs. Dobbins, who was also the group's original lead
singer, gave Horton the spotlight to be the lead vocalist, a spot
Horton was not comfortable with in the beginning. The group changed
their name to the Marvelettes shortly after Motown signed the act and
released "Please Mr. Postman" in the summer of 1960 when Horton was
reportedly just fifteen years old.
1958 - Let's Get Married / Wow Wow Mary Mary (Trend 30 009)
Biography :
Around 1954, in grade school, Eddie Sullivan meet the futures members of the Four Gents,
Sullivan was with these individuals through high school. After being
together all those years and practicing for so long, they finally
recorded a disc. "On Bended Knee," the ballad side, was weighed down by a
rudimentary musical accompaniment and amateurish production. Sullivan,
however, could write a solid melody even if the lyrics were simplistic ,
so the vocal arrangement and tune were carrying the record. "Linda,"
also written by Sullivan, sported a Latin tempo, as did so many droops
of the era.
The Dedidero's
Around 1958, the Four Gents split in half. Louis Pritchett and Waymon Bryant joined Matthew Perkins and Calvin Baron to form the Twi-lites
and Eddie Sullivan and John Staples joined with Willie Crowley, and
brothers Jerry and Kenneth Brown to form the Belvederes. Eddie Sullivan
on lead and the Belvederes recorded "Let's Get Married" b/w "Wow Wow
Mary Mary" on Trend Records, a subsidiary of Kapp Records owned by Fred
Kaplan. The latter group lasted one year before breaking up. A few years
later, in 1963, Eddie Sullivan recorded another record as a member of the Desideros.
1961 - Speaking Of Love / Dance The Boomerang (Featuring Joe Louis Johnson) (Dapt 208)
Biography :
Lou Johnson (born 1941 in Brooklyn, New York City) is an American
soul singer and pianist who was active as a recording artist in the
1960s and early 1970s. Coming from a musical family, he started singing
in gospel choirs in his teens, before studying music at Brooklyn
College. He learned keyboards and percussion, forming a gospel group,
the Zionettes, who recorded for Simpson Records and achieved some local
success. Johnson then formed a secular vocal group, the Canjoes, with
Tresia Cleveland and Ann Gissendammer. They signed to the New York,
Amy/Bell/Mala affiliated DAPT label. The partnership saw the release of
one single 'Dance the Boomerang' b/w 'Speaking of Love (Dapt 208) before
Johnson struck out in pursuit of a solo career. . The single was also
released on Dapt D-208 with the spelling The Coanjos featuring Joe Louis
Johnson b/w he Coanjos.
Lou Johnson
Cleveland
and Giessendanner continued their partnership, reappearing as The Soul
Sisters. A one-shot single on Guyden was followed by a move to Sue
Records. In 1962, Johnson signed as a solo singer with Bigtop Records,
run by the Hill & Range music publishing company in the Brill
Building. There, he met the songwriting team of Burt Bacharach and Hal
David, who wrote Johnson's first single, "If I Never Get to Love You".
Neither that song nor his second record, "You Better Let Him Go", were
hits, but his third single, "Reach Out for Me", also written by
Bacharach and David and this time produced by Bacharach, reached # 74 on
the Billboard Hot 100 in late 1963.