SEQUINS (3) (JESSIE & THE)

 
(L to R) Joyce Jones, Faye Askew & Johnella Askew

Jessie & The Sequins (3) (Chicago)

Personnel :

Jesse Blackful (Lead)

Johnella Askew

Faye Askew

Joyce Jones

Discography :

Jessie & The Sequins (3)

1959 - Hold My Hand / So Weak (Boxer 201 / Profile 4008)

The Sequins (3)

1959 - Lullaby of Birdland / Say Whoa (instrumental) (Boxer 203)

Biography :

Johnella Askew,  Faye Askew and Joyce Jones have been part of a group that called the Dreamers with Erma Lyons and Odessa Marshall. The Dreamers only performed in their schools talent shows & different other events.

The Dreamers (L to R) Joyce Jones, Erma Lyons, Odessa Marshall & Faye Askew (Johnella not on the picture)

It wasn't until 1958 that Johnella Askew,  Faye Askew and Joyce Jones were approached by Jesse Jesse Blackful to form a group & they became Jessie & the Sequins.

Jesse Blackful

"Hold My Hand" b/w "So Weak", two songs that Jesse wrote,  were recorded in Chicago by Jesse Blackful & The Sequins in 1959  with the Lefty Bates Band. When they recorded the two songs , Johnella Askew was 16, Faye Askew 18, Joyce Jones 18 and jesse around 20. 

  

Johnella Askew                                                                                    Faye Askew

While they were in Chicago, Jessie & the Sequins appeared at the Regal theatre as the opening act for The Drifters, The Impressions and Big maybelle. The Sequins also recorded "Lullaby of Birdland " without  Jesse Blackful,  backed by the Lefty Bates Band in the same year & (Say Whoa) an instrumental on flip side .

Songs :

Jessie & The Sequins (3)

So Weak / Hold My Hand

The Sequins (3)

Lullaby of Birdland

 

 

SINCERES (4)

 

 The Sinceres (4) (Yonkers, New-York) 

Personnel :

Salvatore "Sal Anthony" Corrente

Frank Camarota

Joe Petrosine

Al Myslick

Paul Fernandes

 

Discography :

Singles :

1978 - I Got A Girl / Joyce (Crystal Ball 126)

Unreleased:

1960 - Please Say You Want Me

Biography :

Salvatore "Sal Anthony" Corrente was inspired by the black and white singing groups in and around his neighborhood in Yonkers, New York. He became the first tenor of his first local neighborhood group, The Pastels in 1956. This group consisted of Sal, Paul Miksad, Anthony Pascuicco and Richard Bergan. They had a sound similar to the Four Aces and the Four Freshmen, doing local partie and shows but no recordings.

Then Sal would join a mixed group called the Five Flames. They appeared at the famed Amateur Night at the Apollo in harlem, New York City. It was here they came in tied for second place with the famous Channels. This group too had no recordings.  In 1957, Sal would form his third group with some fellow students; Frank Camarota, Joe Petrosine, Al Myslick and Paul Fernandes who would become kwnow as the Sinceres.

 

As the Sinceres many demo were recorded including very first song Sal wrote, "Joyce". In 1978, Crystal Ball released "I Got A Girl" b/w "Joyce". By the end of 1960, this group would breakup and Sal would form The Dials. Sal and Frank Rangione, Dario Bianchini, Joe Raguso  and Joe Rasulo were again all neighborhood (Yonkers) friends.

Songs :

(updated by Hans-Joachim)   

      

           I Got A Girl                           Joyce                       Please Say You Want Me 

RONALD & RUBY

Ronald & Ruby (Bronx, New York)

Personnel :

Julius Dixon (Ronald)

Beverly Ross (Ruby)

Discography :

1958 - Lollipop / Fickle Baby (RCA 7174)

1958 - Lovebirds / Make A Little Love  (RCA 7252)

Biography :

Beverly Ross was born in Brooklyn, New York, and as a child moved with her family to Lakewood, New Jersey where she learned the piano. While living in The Bronx as a teenager, she began canvassing writers at the Brill Building with some of her songs. The first to be recorded was "Dim, Dim The Lights (I Want Some Atmosphere)", co-written with black songwriter Julius Dixon, which was recorded by Bill Haley and His Comets in 1954 and became a crossover hit in both the pop chart and R&B chart the following year.

  

The Real Ruby (Beverly Ross)                                                                                             

In 1958 she and Dixon wrote one of her most lasting songs, "Lollipop". When Dixon explained that he was late for a songwriting session because his daughter had gotten a lollipop stuck in her hair, Ross began writing the song, and later recorded a demo version with Dixon's neighbor, teenager Ronald Gumm (or Gumps). Dixon, who owned the master and had produced the demo, then agreed to let RCA Records release it as by "Ronald and Ruby".

  

                                                                                                                            Julius Dixon & the New "Ruby"

The pair's version rose up the chart reaching no.20, but when it was learned that Ronald and Ruby were an inter-racial duo, television appearances that had been previously booked got cancelled. A Teenage black girl replacing the Caucasian Ross place in the publicity stills and on personal appearances. Cover versions by The Chordettes (no.2 in the US) and The Mudlarks (no.2 in the UK) rose higher up the charts, and the song became an international hit.

Songs :

     

Lollipop                                            Fickle Baby

MEMORIES (4) (DANNY & THE)

      Left to Right : Billy Talbot, Ralph Molina, Dino "Bengiamino" Rocco and Danny Whitten

Danny & The Memories (4) (Los Angeles)

 

Personnel :

Danny Whitten

Billy Talbot

Ralph Molina

Dino "Bengiamino" Rocco

 

Discography :

1963 - Can't Help Lovin That Girl Of Mine / Don't Go (Valiant 6049)

 

Biography :

Although he died early in his music career with Crazy Horse, Danny Whitten was the group's original leader and main focus. Not much is known about Whitten's early years, except that he was originally from the East Coast. Whitten met up with future Crazy Horse bandmember Billy Talbot at a Los Angeles club in the mid-'60s, and the duo (neither of whom played instruments at that point) formed a vocal group.

One of the bandmembers, Lou Molina, suggested that the newly formed outfit recruit his cousin Ralph.  They soon added singers Ralph Molina and Ben “Dino” Rocco and became Danny & The Memories, landing a deal with Valiant Records & cut "Can't Help Lovin That Girl Of Mine" b/w "Don't Go" on Valiant 6049.  After the single failed to chart, the group eventually changed styles and members when psychedelic rock became all the rage, with only Whitten, Talbot, and Ralph Molina remaining, they also picked up instruments (Whitten on guitar, Talbot on bass, and Molina on drums). Changing the band's name to the Rockets, the trio enlisted members George and Leon Whitsell (both guitarists), and to give its sound an original twist, electric violinist Bobby Notkoff.

Songs :

 

Can't Help Lovin That Girl Of Mine / Don't Go 

 

INTERVALS (2)

The Intervals (2) (Los angeles, CA)

 

Personnel :

La Valle Lee (Lead / Baritone)

Cleve O'Dear (Tenor)

Denise Perrier (Soprano)

Lamonte Lee (Bass)

 

Discography :

1958 - Try To Realize / Love Me Sweet (Ima 820)

1958 - Please Come Back To Me / Don't Leave Me (Ad 103)

1958 - Side Street / I Still Love That Man (Ad 104/Apt 25019)

1961 - I Envy These Things / What Good Am I Without You (West Coast 2)

 

Biography :

The Intervals was put together by Selina Rigmaiden at The Jones Artist Agency, managed by Chuck Greer on Haskell Street in Berkeley, sometime in 1958. Selina picked some of the Bay Area's best current talent to form a vocal group who would cover the gamut of Jazz, Pop and R&B. She acquired the services of Denise Perrier, a versatile soprano soloist and lead singer from Los Angeles who replaced an earlier female songster who did not quit work out.

(left to right) La Valle Lee, Lamonte Lee, Denise Perrier & Cleve O'Dear

Denise was born in New Orleans, moved to Baton. Rouge, then on to California when she was five years old. She lived in Oakland and then in Albany where she attended school. In high school she developed her singing and dancing talents. Denise was singing and dancing in a Haitian and Afro-Cuban dance troup when Selina picked her. The other three singers in the group were in place when Denise came aboard. One ofthese was veteran first lead tenor form New York, the late Cleve. O'Dear. This leaves the Lee brothers, La Monte, bass and lead, and La Valle, baritone and lead.

Cleve O'Dear (top) La Valle Lee,  Denise Perrier & Lamonte Lee

 The Intervals appeared at The California Hotel, Esther's Orbit Room in Oakland ( where they appeared most often), at both o'f Don Barksdalels Oakland and Berkeley nights clubs, The Civic Auditorium at the University of the Pacific, The Fairmount Hotel in San Francisco (with Louis Armstrong), a two-week engagement at The New Frontier Hotel in Las Vegas, The Riviera Hotel in Las Vegas (on Armstrong's recommendation), The stardust Motel in Los Altos, the New Fack, Mark Hopkins Hotel and Station "J" in San francisco and many More… The Intervals stayed together for six years during which time they traveled to New York, hollywood and Miami. They also made appearances on the Steve Allen show. The Intervals cut three records, two for the Ad Label and one for West Coast. By ealy1964 work for aspiring black vocal groups in the Bay Aera was in decline,. The Intervals as a group Broke up and returned to separate careers in music.

Songs :

        

 Side Street  / I Still Love That Man

      

Please Come Back To Me                I Envy These Things