DOO-WOP-GROUPS

TODDS - COUNTDOWNS (1) - F.J. BABIES

 

                                                                                                                          The F. J. Babies aka The Countdowns (1) aka The Todds

Posted on by dion1

The Todds  aka The Countdowns (1) aka The F. J. Babies  

Bobby Russell & Buzz Cason

The Todds  (Nashville, T.N.)
aka The Countdowns (1) aka The F. J. Babies

 

Personnel :

Buzz Cason

Bobby Russell

Tony Moon

 

Discography :

The Todds
1961 - Tennessee / May We Always (Todd 1064)
1962 - Popsicle / Sugar Hill (Todd 1076)

The Countdowns (1)
1961 - Watermelon / The Writing On The Wall (Image 5002)

The F. J. Babies
1962 - She Has    / And The Moon Came Down (Apt 25068)  

 

Biography :

By 1957, The Casuals had become a touring act, replacing The Everly Brothers on a tour of 60 fair dates. Later, legendary manager, Dub Albritton heard the group and The Casuals became Brenda Lee's backing band. The original Casuals were Buzz Cason, Richard Williams, Billy Smith, Chester Power and Johnny McCreery. During this same period, Buzz Cason met Bobby Russell, an aspiring writer at the old Globe Recording Studio in Nashville located above Mom's Tavern (now Tootsie's Orchid Lounge) and the two began to co-write.  Gary Paxton became a publisher for Lowery Music of Atlanta and published their "ba- ba-ba" Jan and Dean-type song, "Tennessee." They made another Todds single on the tune "Popsicle," which, like "Tennessee," was later covered by Jan and Dean  on Liberty. The Todds' session was produced by their new production company, Tri-Arts, which Bobby Russel and Buzz Cason formed with Tony Moon (From Dante & The Evergreens). They opened an office together on 16th Avenue, but soon realized they had no viable way to pay rent.

The Todds  aka The Countdowns (1) aka The F. J. Babies

The Casuals with Tonny Moon (Harmonica)

They managed to raise money to do "Popsicle" as The Todds and "Watermelon," using the name The Countdowns, on Kenny's Image label and "She Has" by the F.J. Babies. The records featured  Buzz Cason, Bobby Russell & Tony Moon on vocals and many of the instruments. The "F.J" on the "She Has" disc stood for Felton Jarvis, the personable head of the ABC record label in Nashville and the record came out on the APT label, a subsidiary of ABC. In 1963 and for two years, Buzz Cason & Bobby Russell sang under pseudonyms for Hit Records and Giant Records. Hit Records of Nashville was a 1960s budget label who recorded and released "sound-alike" recordings of hit singles by artists who often recorded under pseudonyms.

The Todds  aka The Countdowns (1) aka The F. J. Babies     The Todds  aka The Countdowns (1) aka The F. J. Babies 

                                                                                                        Tony Moon

 These were in most cases as good as or better than the originals, and sometimes even outsold the original releases. Bobby Russell and Buzz Cason were in charge of the Pop and Rock & Roll recordings of which Bobby would go on to become one of the most successful songwriters of the 1960s with titles like "Honey" and "Little Green Apples" to his credit. Buzz Cason & Bobby Russell sang under the name of The Chellows on Many Four Seasons' Songs like "Walk Like A Man", "Big Girls Don't Cry" on Hit Records . They are the Shaw Brothers on "That's old fashioned" on Hit Records and they are the Belles on "Ain't that A Shame" b/w "If You Wanna' Be Happy" on Giant.

 

Songs :

 The Todds

  
May We Always                                       Popsicle        

  
‪Sugar Hill‬                                         Tennessee

The F. J. Babies

  
And The Moon Came Down                          She Has                 

ROCKETONES

 

The Rocketones (Brooklyn, New York)

 

Personnel :

Bill Witt (Lead Tenor)

Ronald Johnson (Tenor)

Allan Days (Tenor)

Harold Chapman (Baritone)

Arthur Blackman (Bass)

 

Discography :

1957 - Mexico / Dee I (Melba 113)

 

Biography :

Once upon a time there was a vocal group made up of five Brooklyn teenagers who called themselves The Avalons. They were Bill Witt, Allen Days, Harold Chapman, Ron Johnson, and Arthur Blackman. After many hours harmonizing in the school halls and on the streetcorners of their neighborhood. When the boys felt that they were ready for an attempt to put out a record they headed over to Manhattan and made the rounds of the independent record companies. The most encouragement the group received was from record man Morty Craft who at the time was the head of Melba Records.  When the arrived for rehearsals for their time in the recording studio, they ran through two songs that Bill Witt had written for the group. The songs were "Mexico" and "Dee I". Although the group had recorded the sides, the actual record was not released for a number of months. Finally in 1957, the record was released on Melba # 113. The Avalons were surprised that they had become The Rocketones, due to other groups using their original name. Also their version of "Mexico" had been given some added 'atmosphere' with the obvious spliced in intro of the tyraditional  pasodoble - the authentic call to order at bull fights in Spain. It may have been a surprise to the group that made the record, but to listeners it was a rock classic. It had an irresistable "hook" that never seemed to leave your mind for any length of time, and it was a hummable tune that made you snap your fingers and smile. "Mexico" was a favorite on radio in the Northeast and gave a lot of promise of things to come from the group.  But unbelievably, that was the entire history of the group known as The Rocketones. In a year Bill Witt went on to join The Paragons and other groups in future years. The others drifted away, some to the military and the group never recorded again. So we have the archetype example of the "one hit wonders" so prevalent in the age of the rock 'n roll single records. But what a one hit it was. One of the greatest jump tunes by a vocal group in the fifities, "Mexico" is the perfect example of the glory of the times.

 

Songs :

  
Mexico                                                    Dee I

 

SOF-TONES (2) - STEWART SISTERS

 The Sof-Tones (2) aka The Stewart Sisters

The Sof-Tones

The Sof-Tones (2)  (Long Beach, Ca)
aka  Stewart Sisters
 

Personnel :

Darlene Paul

Trudy Hancock

Irene Diaz 


Discography :

The Sof-Tones (2)
1958 - I Failed / Canadian Sunset (Young 1002)

The Stewart Sisters
1958 - The Witness / Movie Magazine (Specialty 653)
1959 - Comes Dawn / Shine On Me, Moonbeam  (Specialty 668)
1959 - Sound Of Love  / Love Was Born  (Specialty 679)

Little Richard (backing vocals of The Stewart Sisters)
1958 - The Fabulous Little Richard (SPECIALTY 2104)
Shake A Hand / Chicken Little Baby / The Most I Can Offer / Wonderin' / Kansas City / Directly From My Heart / Maybe I'm Right / I'm Just A Lonely Guy.

Larry Williams  (backing vocals of The Stewart Sisters)
1959 - Give Me Love / Teardrops (Speciality 677)
1959 - Ting-A-Ling / Little School Girl (no group) (Speciality 682)


Biography :

Trio from Long Beach consisted of Darlene Paul, Trudy Hancock and Irene Diaz. The Sof-Tones' harmony accomplishments include winning talent contest at West Coast Theater, being featured on Al  Jarvis television show, appearing at Lions Club, Chandelier Club, assemblies, dances… In 1958, they cut "I Failed"/ "Canadian Sunset" for the young Label.

 The Stewart Sisters aka The Sof-Tones (2)   The Sof-Tones (2) aka The Stewart Sisters
                                             The Stewart Sisters                                                                           The Stewart Sisters                                     

 The Girls move to Speciality records and cut three singles under the name of the Stewart Sisters… In 1959, Little Richard had been out of show business for over a year, having since returned to the church and gospel music.

 The Stewart Sisters aka The Sof-Tones (2)    The Stewart Sisters aka The Sof-Tones (2)
                     Little Richard                                                                                     Larry Williams       

The Album "The Fabulous Little Richard " Recorded in 1958 for Specialty is a series of outtakes and studio tracks,  many of which (eight sides) feature the backing vocals of The Stewart Sisters, which apparently were added at Little Richard’s request in an attempt to give the album a more gospel feel. The Stewart Sisters also provided backing vocals for three recordings of Larry Williams in 1959.


Songs : 

 

The Sof-Tones (2)

   
     I Failed                                      Canadian Sunset 

The Stewart Sisters

      
       The Witness                          Movie Magazine            Shine On Me, Moonbeam


Comes Dawn

Little Richard (Backing vocals of The Stewart Sisters)
     
      
Shake A Hand                  Chicken Little Baby              The Most I Can Offer

      
Wonderin'                              Kansas City                 Directly from My Heart

   
Maybe I'm Right                    I'm Just A Lonely Guy 

Larry Williams  (backing vocals of The Stewart Sisters)  

     
Give Me Love                   Teardrops                              Ting-A-Ling

 

 

CORDIALS (1) - CARIANS

The Cordials (1)  (Columbus, Ohio)
aka The Carians

 

Personnel :

Ron Rieser (Lead Singer)

Dave Rathburn (Top Tenor)

Paul Perry (Second Tenor / Alternate Lead)

Pug Pepper (Baritone)

Phil Stobart (Bass)

 

Discography :

The Cordials (1)
1960 - I'm Ashamed / Sentimental Journey (Cordial 1001)

The Carians
1961 - She's Gone / Snooty Friends (Indigo 136)
1961 - Only A Dream / Girls (Magenta 04)

 

Biography :

The Cordials were all from Central High School in Columbus. The group consisted of  Ron Rieser (Lead Singer), Dave Rathburn (Top Tenor), Paul Perry (Second Tenor / Alternate Lead), Pug Pepper (Baritone) and Phil Stobart (Bass).

Phil Stobart later sang with Phil Gary & The Catalinas. The Cordials  only cut two songs under this name " I'm Ashamed" b/w "Sentimental Journey" then changed to the Carians and released two other singles. "She's Gone" is the male version of The Chantels song "He's Gone", written by Arlene Smith of the Chantels.

 

Songs :

 
The Cordials (1)

I'm Ashamed / Sentimental Journey  

The Carians

      
       She's Gone                     Only A Dream / Girls              Snooty Friends     

 


STEREOS (2) - BUCKEYES

  The Stereos (2) aka The Buckeyes

The Stereos (2) (Steubenville, Ohio)
Ref The Buckeyes


Personnel :

Bruce Robinson (Lead)

Leroy Swearingen (Tenor)

Nathaniel Hicks (Tenor)

Ronnie Collins (Bass)

Sam Profit (Second Tenor)

George Otis (Baritone)



Discography :

The Buckeyes
1957 - Since I Fell For You / By Only You (Deluxe 6110)
1957 - Dottie Baby / Begging You Please (Deluxe 6126)

The Stereos (2)
Singles:
1959 - A Love For Only You / Sweetpea's In Love (Gibraltar 105)
1961 - I Really Love You / Please Come Back To Me (Cub 9095/Astra 1032)
1961 - The Big Knock / Sweet Water (Cub 9103)
1962 - Unless You Mean It / Do You Love Me (Cub 9106)
1962 - Echo In My Heart / Tick Tack Toe (Columbia 4-42626 )
1963 - Good News / Mumbling Word (World Artists 1012)
1965 - Sweet Pea's In Love / Life (Ideal 1110)
1965 - Don't Let It Happen To You / The Best Thing To Be Is A Person (Val 2)
1967 - Stereo Freeze, Part 1 / Part 2 (Hyde 101/Cadet 5577)
1968 - I Can't Stop These Tears / I Feel Soul A'Coming (Cadet 5626)
Unreleased :
1959 - Dragstrip (Gibraltar)
1962 - A Long Time From Never (Cub)
1962 - Walkin' Along (Cub)



Biography :



This R&B vocal group can trace its roots to Steubenville, Ohio, circa 1954. The harmony group began as the Montereys, but soon found out about another group from New York that was using the name and recording for the Teenage Records label. They then scored a contract with Atlantic  Records as the Hi-Fis, but nothing ever came of this relationship, and another name change was in order. They were from Ohio (the Buckeye State); thus they became the Buckeyes and drove several hundred miles to New York to meet with the New York offices of King/Federal/Deluxe Records. They auditioned and were quickly signed to the Deluxe imprint and released two singles in 1957—“Since I Fell for You” backed with “By Only You” (Deluxe #6110) and “Dottie Baby” backed with "Begging You Please" (Deluxe #6126) with Howard Alsbrooks supplying the lead vocals. He also composed “Begging You Please.” Neither single garnered much attention, and Alsbrooks was soon gone from the group.  It took until 1959 for the group to get another shot—this time from composer/producer Otis Blackwell for the tiny Gibraltar label. Once again, they experienced a name change (not by choice), and the Stereos were born. The Stereos first recorded in 1959 with Leroy Swearingen (first tenor and ex-Buckeyes) joining Robinson, Collins, Sam Profit and George Otis  for their Gibraltar debut.

 The Stereos (2) aka The Buckeyes    The Stereos (2) aka The Buckeyes
Bruce Robinson, Ronnie Collins, Nathaniel Hicks, Sam Profit & George Otis                                                                                       

Their release on Gibraltar (#105)—“A Love for Only You” backed with “Sweetpea's in Love”—scored well in some pockets of the country, especially  Pittsburgh, Pennsylvania, although it didn't chart nationally. Its failure caused Swearingen to leave and be replaced by Nathaniel Hicks. There would likely have been a follow-up single on Gibraltar, but the label went out of business and Otis Blackwell jumped to Cub Records—an MGM imprint. He took the Stereos with him, and a song written by group member Leroy Swearingen, “I Really Love You” (Cub #9095), became their first release in 1961, and their all-time biggest hit. Ronnie Collins performed the lead vocals on this very catchy tune with a walking bass singer throughout.  It became a Top Twenty R&B hit and a Top Thirty pop hit (but much bigger in the major urban radio markets). The song was remade years later by George Harrison on his Gone Troppo album (Dark Horse #23734). Fame, however, was fleeting for the Stereos and they never again penetrated the Pop or R&B charts. They even made a recording for Columbia Records, very much in the Shep and the Limelites vein (“Echo in My Heart” backed with “Tic-Tac-Toe”—Columbia # 42626) in 1962, but less than 100 copies were pressed up and the project was quickly abandoned. Needless to say, the record is quite a collector's treasure today. Other quality releases for the Cadet, Hyde, Ideal, Val, and World Artists labels failed to sell well , and by 1968, the Stereos called it a career and went their separate ways.