Glenmore Jackson, Ross Buford, Leroy Binns, Stephen Brown & Joe Grier
The Charts (Harlem, New York)
Personnel :
Joe Grier (Lead)
Stephen Brown (First Tenor)
Glenmore Jackson (Second Tenor)
Leroy Binns (Baritone)
Ross Buford (Bass)
Discography :
1957 - Deserie / Zoop (Everlast 5001)
1957 - Dance Girl / Why Do You Cry (Everlast 5002)
1958 - You're The Reason / I've Been Wondering (Everlast 5006)
1958 - All Because Of Love / I Told You So (Everlast 5008)
1958 - My Diane / Baby Be Mine (Everlast 5010)
1963 - What's Your Excuse / Keep Dancing With Me(Vel-V-Tone 102)
1965 - Deserie / I Wanna Take You Home (not by the Charts) (Lana 117)
1966 - Desiree / Fell In Love With You Baby (Wand 1112)
1966 - Livin' The Nightlife / Nobody Made You Love Me (Wand 1124)
Discography :
A
group of Harlem teenagers had a dream. The dream was to make the
charts… and they did. The Charts were probably one of the only groups
in America to get booed off the stage at an Apollo Theatre amateur night
and still go on to success. One of those New York City street-gang
vocal groups (like the Juveniles on Mode and The Belmonts on Laurie),
the Charts must have seemed like a logical next step when street
fighting lost its charm. Originally eight gang members from the 115th
Street area, the group had pared itself down to a quintet by late 1956,
leaving Joe Grier (lead), Leroy Binns (first tenor), Steven Brown
(second tenor), Glenmore Jackson (baritone), and Ross Bu- ford (bass).
At The Apollo , July 1961 - Joel Gray, Leroy Binns, Stephen Brown
They
practiced on street corners and in hallways until they felt ready for
the stairway to stardom that was the Apollo's Tuesday night amateur
competition. Always scanning Billboard magazine, the group decided to
name themselves after name themselves after Billboards hits list with
the intent of one day seeing themselves on the charts . Joe Grier, the
oldest member at 17, wrote a song entitled "Deserie" that fit the
group's raw, free-form style perfectly. While the first and second
tenor and baritone "wah wah-ed" and the bass "aye yah-ed," Joe
alternated between a smokey-voiced lead and a soaring falsetto that
reminded many of a yodel. It was this sound coupled with "Deserie's"
three slow and seemingly endless verses (with no chorus or bridge) that
the Apollo crowd heard on that fateful night, and sure enough the
combination was too weird to be taken seriously.
The
group wah-wahed its way through the boos. Shaken (but not stirred) they
barely made it off the stage. Among the onlookers, however, was one Les
Cooper , formerly of the Whirlers on Bobby Robinsons Whirling Disc
label and a member of the Empires on Harlem, Whirling Disc, and Wing.
Cooper felt this unusual sound had potential and immediately introduced
himself to the nervous teens. Shortly after the Apollo fiasco, Cooper —
now the group's manager — introduced them to Dan Robinson (Bobby's
brother), who was starting his own label. By June 1957, Everlast 5001
was being played all over the tri-state area.By July 15, 1957, it had
reached Billboard's Pop chart spending four weeks in the rarified air of
success and peaking at number 88.
Joe Grier
"Deserie"
became a huge East Coast doo wop cult classic and has been listed among
the top 10 oldies of the New York area each year for more than three
decades. Such was and is the extent of the record's airplay that in the
more than 30 years since its release it's reported to have sold well
over a million singles. (Good for the group but not too good for young
Joe Grier, who had sold off the writer's share of the song to a
photographer of the stars named James Kriegsman .) Meanwhile the B side,
"Zoop," an up-tempo, infectious rocker, was getting lots of play on
its own. It was a quality cut in an era when B sides were often
throwaways. The group next released "Dance Girl," a "Zoop"-like
recording that featured Joe Grier's immediately identifiable nasal rock
sound. It saw local activity but neither " Girl" nor its beautiful
ballad B side "Why Do You Cry" reached sales levels as high as they
deserved. The single "You're the Reason" (arguably their best ballad)
closed out 1957 with little fanfare; "their Latin-based "All Because of
love" had the same non-effect on the general population during its early
1958 run.
The Charts - 1966 - Top : Tonny Harris, Leroy Binns - Bottom Frankie Pierce and Stephen Brown
The
group's last Everlast single was a "Deserie" sound-alike entitled "My
Dianne" (Spring 1958) which had absolutely no exposure and therefore no
chance to chart. Joe Grier joined the service after "My Diane" flopped,
and the group disbanded. When Joe returned he hooked up with his old
manager to play tenor sax on a composition entitled "Wiggle Wobble." The
contagious instrumental became a number 22 hit for Les Cooper and the
Soul Rockers. Grier never returned to the Charts, but a revised group
(that included holdovers Steven Brown [now on lead] and Leroy Binns [now
on bass] along with newcomers Frank ie Fears and Tony Harris) recorded
an up-tempo powerhouse version of "Deserie" on Wand Records in 1966. It
Flopped. its follow-up ("Living the Nightlife") failed, and the group
once again dispersed, only to be reincarnated in 1976 as the Twelfth of
Never.
American Singing Groups: A History from 1940s to Today (Jay Warner)
http://www.uncamarvy.com/Charts/charts.html
Songs :
Deserie Zoop Dance Girl
Why Do You Cry You're The Reason I've Been Wondering
All Because Of Love I Told You So My Diane
Baby Be Mine What's Your Excuse Keep Dancing With Me
Deserie Fell In Love With You Baby Deserie
Livin' The Nightlife Nobody Made You Love Me